SO - KIN - TAI

November 26, 2007 12:17 PM

SO - KIN - TAI
ちょっと前のドラマ、“大奥”で使われている書体、“痩金体”。実はちょっとお気に入り。
ただウェイトが細すぎるので、太らせるのもアリだけど、そうするとバランスがなぁ・・・、とか思案。
一年くらい前から自分のポートフォリオ系（マル秘コンテンツ系）のサイトをずーっと作り続けているんだけど、ラフの段階で日本語のしかも明朝体の書体がどうしても使いたくて、いろいろと選別中。いまのところ使いたい第二位は、SHARPでおなじみの“丸明朝体”。カナと漢字は別だけど、“目の付けどころ”ですよ。やっぱり。
　
Font | DF痩金体
 Font | 丸明朝体

Posted by tac_suzuki

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When you stare into the abyss, The abyss stares back at you.
Friedrich Nietzsche (1844-1900)

Suzuki Takeya (1974-)
Designer / Art Director
Born in Tokyo, Japan. Bachelor of Economics.

design is not art.
design must be commercially oriented and practical.design itself has no value at all. the value of design cannot be appreciated until people find it useful and recognize its importance.

however, many designs on the network, called web design, have already transcended obstacles such as ethnicity and language, and created designs based on a variety of concepts. however, because its definition is incomplete, the question of what the web design is based on, whether it is based on programs or on usability, remains extremely ambiguous. inconsistent design turns out to invite confusion.

however, on the other hand, we are, to tell the truth, sick of the proposals and the movement of the so-called w3c and the like about what should be the criterion.
should we emphasize freedom or design in web design?

web design has just begun. there is infinite room for improvement. consequently, web designers should make every effort to spend time on experiment and inspection as well on fostering a cutting-edge sense.